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Friday, July 31, 2009


Love Aaj Kal


Directed By-
Imitiaz Ali

Produced By-
Saif Ali Khan and Dinesh Vijan

Featuring-
Saif Ali Khan, Deepika Padukone, Rishi Kapoor, Rahul Khanna..


The drought of good movies that seemed to have taken over Bollywood from the past few months ends with Love Aaj Kal releasing this week. Directed by Imitiaz Ali, Love Aaj Kal in one word is Fantastic. Keeping his previous stint of success with him Imitiaz Ali has delivered a love story that is narrated in a surprisingly innovative way. Shot in different parts of London, San Francisco, Old-Delhi and Punjab, Love Aaj Kal shows a fantastic blend of two love stories one in the past -"Love Kal" and the other in the present - "Love Aaj" crisscrossed, linking the past to the present.

Love Aaj Kal is a cross of two love stories, one of Jai Vardhan Singh( Saif Ali Khan) andMeera Pandit(Deepika Padukone) the other of Veer Singh(Saif Ali Khan/Rishi Kapoor) and Harleen Kaur (Giselle Monteiro/Neetu Singh). Jai and Meera two modern independent career oriented people living in London fall in love and as times pass by, decide to break up and move on with their respective careers in a rather happy way with an unusual break up-party unlike other break up's. Here's when he meets Veer Singh (Rishi Kapoor) a owner of a coffee shop, who keeps hinting Jai of the mistakes that he is making considering the break up with Meera. Very soon, Veer Singh( Rishi Kapoor) is then seen narrating his love story with Harleen back in Punjab years ago. The stories of Jai and Veer are then played alternately showing the obvious overlapping instances between both the love stories. The story post Jai's break up and the various fun moments is for you to figure it out yourself.


Love Aaj Kal doesn't really disappoint you at any level irrespective of what expectations you had with the movie. The highlight of the movie is the naive love story of Veer and Harleen, that brings with it a lot of innocent-natural-spontaneous moments that you will surely enjoy and relish even after your out of the theater. Beautifully done are the links between the two stories with hint of light humor.

Imitiaz Ali has yet again selected and used his resources intelligently. Saif Ali Khan impresses you with both Jai and young Veer's role playing it quite convincingly. Deepika Padukone's performance is average and is definitely impressive in certain parts of the movie. Rishi Kapoor is good and delivers a fun performance. Rahul Khanna is seen on a role thats quiet and there's not much for him in the movie. Debutant Giselle Monteiro looks raw with her acting and yet is bang on for the role of Harleen surprisingly making you like her as the movie progresses.

The music by Pritam is stupendous and simply one of his best composed albums. The picturisation and the songs compliment each other really well. Tracks like "Chor Bazaari", "Twist", "Yeh Doorian".. being the highlights of the album

Imitiaz Ali has literally left no stone unturned to give Love Aaj Kal that classic refreshing feel.
I will go with 8 BOP's for Imitiaz Ali's Love Aaj Kal.





Don't miss this flick.

P.S: BOP stands for Buckets of Popcorn. New rating system instead of stars, as this site is transforming into new review site.




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Sunday, July 26, 2009


Jashn and Luck ( Reviewed by Bhargav Saikia)



Jashn
1 out of 5

What's it all about?
A struggling musician overcomes all obstacles and becomes an overnight star. Yawn! Give us something fresh, Maheshji.
Direction & Screenplay
Raksha Mistry and Hasnain Hyderabadwala are known for their ridiculous rip-offs of
Collateral(The Killer) and Derailed (The Train), so it's futile to expect anything credible from them in the first place. In Jashnn, their treatment of the.. Click here for more


Luck
1 out of 5

What's it all about?
A bunch of very 'lucky people' participate in a survival game orchestrated by mafia boss, Karim Moosa (Sanjay Dutt), who is on a mission to establish and lead the human-betting business. Instead of 'survival of the fittest', it's 'survival of the luckiest' here. So you have Ram Mehra (Imran Khan), Major Jawar Pratap Singh (Mithun Chakraborty), serial killer Raghav (Ravi Kissen), sixteen-year old Shortcut (Chitrashi Rawat) and Natasha (Shruti Hassan) relying solely on luck to win this bizarre game of life and death.
Direction & Screenplay
Writer-director, Soham Shah, needs hardcore lessons in script-writing. Shah's story and character development skills are zilch and funnily enough.. Click here for more

Orginally posted at




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Saturday, July 11, 2009


Shortkut -The Con is On



Directed By-
Neeraj Vora

Produced By-
Anil Kapoor

Featuring-
Akshay Khanna, Arshad Warsi, Amrita Rao..


Yet another movie to go absolutely impact less at the box office this week. Directed by Neeraj Vora, Shorkut is boring and is as predictable as it can get. No wonders were really expected from Neeraj Vora having seen his previous stint as a director. Shorkut disappoints you even more because the promos looked a lot good if not really impressive. Having actors with a such impeccable comic timing, the director fails to capitalize and relies on the writing skills of Anees Bazmee to do the job rather than the actors. Shorkut portrays itself to be a movie filled with humor, which sadly isn't. The scenes that are close to funny are already unveiled in the promos and there's no real surprise element in the complete package.

Shorkut - The Con is On's two male protagonists, Shekhar(Akshay Khanna) and Raju(Arshad Warsi) an struggling asst director and a wanna-be actor respectively each of whom believe in different values to make it big. Shekhar, a hardworking-determined-conventional lad who believes in efforts rather than luck to find himself achieve things that he dreams of, which is writing and directing a movie someday. Raju on the other hand is careless-unrealistic- easy-way-out-kinda lad who believes in shortcuts to becoming an actor rather than skills and hard work. Shekhar is seen desperately working on scripts to realize his directorial dreams, so as to confess the secret love with already established actress Mansi(Amrita Rao) to the world. Shekhar's dreams are then shattered when Raju steals his script to trigger a acting career out of the stolen script. The race to career glory of both Shekhar and Raju is for you to watch it yourself.

Shorkut fails to engage you even for a petty continuous stretch of ten minutes forget the complete running time of the movie. The transition of the movie from the humor zone to the serious-emotions zone is something that is hard to digest provided scenes involving Arshad Warsi. The actors are seen on characters that are so poorly written that actually makes you wonder did Arshad Warsi actually play a Cirkit. Shorkut, a movie that could have helped Arshad Warsi and Amrita Rao to revitalize their wavered career is indeed not going to. Akshaye Khanna looks decent as always and looks to contribute filling in the patches. Chunkey Pandey is seen on a role that looks dumb and definitely not funny.

The music bu Shankar-Ehsaan-Loy is average except for "Patli Gali", which seems to received really well among the audience.

I will go with 4 out of 10 for Neeraj Vora's Shortkut - The Con is On.
Please avoid this flick!

If anyone can get this across to Anil Kapoor, i want to know what was Anees Bazmee doing as a writer of this movie?


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Friday, July 3, 2009


Kambakkht Ishq


Directed By-
Sabir Khan

Produced By-
Sajid Nadiadwala

Featuring-
Akshaye Kumar, Kareena Kumar, Aftab Shivdasani,..

Now i apologize if i said Kal Kissne Dekha had the potential to be the worst movie of the year, now here's bollywood's much awaited and talked about movie which will quite simply go ahead and win the award comprehensively in the worst movie category this year. Directed by Sabir Khan, Kambakkht Ishq in one word is "nonsense". I know one could hardly expect anything from Akshaye Kumar after CC2C, but this really broke the barrier of making some real hard core senseless cinema. Its quite impossible to believe the fact that the makers of Kambakkht Ishq actually thought just Akshaye Kumar and Kareena Kapoor could make a movie run at the box office and not the script.

Kambhakkt Ishq's protagonist Viraj Shergill(Akshaye Kumar) a stuntman by profession who strictly believes in the fact of staying bachelor and is quite successful to pass on the same values to his brother Lucky Shergill(Aftab Shivdasani) another stuntman by profession until the day he finds out himself about Lucky's marriage plans with Kamini(Amrita Arora) a model. Now here's where he bumps into Simrita(Kareena Kapoor) , Kamini's friend who thinks the same way about men as Viraj does about women.

Now till about this point, i think director Sabir had a script in place and was seriously planning on something really good with the movie until the first song rolled out. I wonder what the director was thinking while filming this song. The scenes right after the song make you feel like walking out of your seat right away. Kambakkht Ishq, is not a comedy movie if you think it is. Its a movie that even the director is not sure to which genre this movie belongs to. You can actually count the parts that are actually funny ignoring the cheap scenes which lack every hint of homour. Actors like Javed Jaffri, Boman Irani and Kirron Kher are seen on roles which are poorly written and absolutely make no sense in the movie. The cameo's by hollywood stars adds no value whatsoever. The scenes meant for a star like Sylvester Stallone are lame and adds to your frustration.

The music by Anu Malik is as pathetic as the script. The songs are lousy and definitely something that you would love to fastforward if given a chance. I waited patiently till the credits actually rolled for something that could make me like this movie. But sadly, there's wasn't one thing that you can like abut the movie.

For fans of Akshaye Kumar, please avoid this flick if you want to remain his fan for long. And the rest looking forward for this movie this weekend - A big NO !!

I will go with 3 out 10 for Sabir Khan's Kambakkht Ishq.
Double thumbs down to Nadiadwala for making it and Akshaye Kumar for acting in it.




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